Society of Women Artists : Non Members - 164th Annual Open Exhibition

Did Someone Say Treats?

By maureen bailey

Soft Pastels and Pastel Pencils

h: 31 w: 23 d: 1 (cms).

This is from a photo my husband took of our little dog Bella Boo. This was one of her favourite poses where she would peer over the top of the sofa. If you called her and she was on the sofa she would peer over the sofa with her two little paws as you see them in the portrait, with one ear up and one ear down. This pose always made everyone laugh!

£1125.00

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Did Someone Say Treats?

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Urban spaces, Logrono La Rioja

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English village

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Richmond Green at dusk

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Little blue flowers

By emma de souza

Oil On Canvas Board

h: 25 w: 30 d: 1 (cms).

Still life

£840

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Little blue flowers

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Duchess

By julie cross RI

Mixed Media with Oil on Cradled Wood Panel

h: 65 w: 46 d: 3 (cms).

£950

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Duchess

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Spring in Check Jug

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Stare before the chase

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Renaissance Reds

By julie cross RI

Mixed Media with Oil on Panel

h: 23 w: 30 d: 1 (cms).

£550

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Renaissance Reds

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Echoes Held Tight

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Tall Rectangle Form

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Disc Form with Cut-out

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Vivienne

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Out of the Window

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Found Shapes Series 9

By evelyn polk

Mono and Lino Print

h: 53 w: 46 d: 1 (cms).

Hello everyone I hope your new year has started well. I have a lot of people contacting me asking about printmaking workshops and when they'll be, so I've complied a list which consists of 3 different venues where I'll be teaching from. You can book with them by using the link or contacting them directly. The Green Wolf Cafe, Woolpit. March 29th (fully booked) and June 21st Botanical Mono Printing Contact the Cafe directly to book. 07845623088 @Greenwolfcafe Mill Tye Gallery, Great Cornard. April 15th - Reduction Lino Printing April 22nd - Beginners Lino Printing May 13th - Beginners Lino Printing May 22nd - Reduction Lino Printing https://www.milltyegallery.co.uk/book-online Stokebridge Workshops, Ipswich. June 7th - Botanical Mono Printing https://www.stokebridgeworkshops.co.uk/workshops-and-events If you'd like to see some of my artwork I have a few pieces at Mill Tye Gallery and at the Green Wolf Cafe. Mono and Lino Print 2 of a limited edition of 2. Inspired by found shapes, objects and historical marks on the land.

£480

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Found Shapes Series 9

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Tea

By Consuelo Child-Villiers

oil on canvas

h: 55 w: 54 d: 2 (cms).

£2950

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Tea

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Line of Sight

By julie cross RI

Mixed Media with Oil on Wood Panel

h: 60 w: 50 d: 2 (cms).

£950

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Line of Sight

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The chair by the window

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Tea and Toast

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Lost Sense of Humour

By laura wyatt BA (Hons) PGCE HE

Watercolour and gouahe

h: 41 w: 26 d: 1 (cms).

Sense of Loss: Exploring how to depict the profound loss of a sense of humour. Using visual metaphors to share a meaning and evoke feelings of loss.

£945

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Lost Sense of Humour

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Cornish Day

By deborah kreczmer

ACRYLIC

h: 29 w: 37 d: 1 (cms).

I go to Cornwall each year to paint, and this is a painting which started life in my sketchbook. My seascape may be different from my other entries but I believe this painting is still representational of my work. Strong colour, bold marks and semi abstract. I really enjoyed painting this quickly and not fiddling and loosing the atmosphere of the scene.

£350

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Cornish Day

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Tulips

By Yana Barabash

Oil , acrylic on canvas

h: 70 w: 50 d: 4 (cms).

This painting was created from life in five sessions. I used an acrylic underpainting and finished it with oil. It is a self-portrait, and the objects around me are all familiar and dear to me because this is where I live.

£1700

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Tulips

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Feast

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Pink Flowers in a Silver Cup

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Wintering Trees

By victoria reynolds

Acrylic on board

h: 30 w: 40 d: 1 (cms).

Victoria's work expresses her fascination with wild locations, her pieces evoking a symbolic resonance. in this painting, created from the same vantage point over several days, acrylic is layered on board and very little totally obliterated during the process. The ghosts of branches and spiraling leaves echo the quiet changes of winter and imply the slow passage of time.

£600

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Wintering Trees

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One, Two, Three

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Birds of a Feather

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More Than Anything Else

By tara o reilly

Oil on panel

h: 30 w: 20 d: 1 (cms).

£400

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More Than Anything Else

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Big sky Lytham

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Migration

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Shadows on Light

By anastasiia protsenko

steel castin, brass and aluminum powder, acrylic

h: 81 w: 50 d: 10 (cms).

Darkness arrives imperceptibly, swallowing the space, and just as quietly recedes. Yet its imprint remains forever. This sculpture is made from steel waste – a material that was destined to be forgotten but has found new life in art. Steel is resilient, enduring the blows of time, even when it seems its story is over. The black sections carve into the form, reminding us that experience transforms us, yet at the same time, becomes part of new possibilities.

£2300

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Shadows on Light

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Efim

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Layers of Being

By gwenda jones BA(Hons)

Ceramic Stoneware

h: 22 w: 26 d: 20 (cms).

Poem by the artist describing her sculpture. LAYERS OF BEING - DO YOU THINK YOU KNOW ME? Closed eyes guard a shifting truth, a surface alive with fissures and colour. Time presses into me, each layer a memory, each mark a question asked or unanswered. Look up, and you'll see defiance- a jaw thrust forward, shoulders braced, power etched into the lines of my being. Look down, and the weight emerges - a body sinking, withdrawing, the burden of what is held within. Do you think you know me? Each angle lies, and each angle reveals, a story shaped as much by your gaze as by the hands that sculpted me. Perception builds me, cracks me, remakes me. Texture meets form, strength meets retreat, layers revealed, layers concealed. Am I what you think? Am I what I seem? Move closer. Step back. Feel the surfaces, the depths. The essence and layers of being.

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Layers of Being

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Strength of Barbara Walker

By Gail E Hurst

Paper - mixed media

h: 64 w: 45 d: 30 (cms).

£750.00

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Strength of Barbara Walker

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Rosa

By Victoria Sills

Oil on panel

h: 15 w: 10 d: 1 (cms).

£750

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Rosa

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Turkish teahouse

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Blue Moon Garden

By mary mcfadden

Earthenware Clay

h: 35 w: 23 d: 10 (cms).

Inspired by birds. This jug is slender and tall with a pointed beak and gold luster wing plumage handle. I've used layers of oxides and underglaze colours to do abstact painting with a transparent earthenware glaze. It's finished with a gold lustre handle and gold highlights.

£339

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Blue Moon Garden

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Early Winter Landscape with Birds and Pink Clouds

By caroline griffin

oil on board

h: 30 w: 40 d: 1 (cms).

This painting was inspired by the shift in the seasons, the change in the light, the movement of birds across the fields. Painted in several sessions using both palette knife and brush, the aim was to create atmosphere through colour and painterly mark making.

£600

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Early Winter Landscape with Birds and Pink Clouds

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Red Butterfly Garden

By mary mcfadden

Earthenware Ceramics

h: 32 w: 23 d: 10 (cms).

Inspired by birds and garden creatures this jug stands on lookout ready to swoop and catch its prey. I've used layers of oxides and underglaze colours to add abstract painting beneath a transparent earthenware glaze. I've then used gold lustre on the handle and highlights to add sparkle and light.

£339

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Red Butterfly Garden

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Painting Notes

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A Strong Minute

By linda brett

Oil on canvas

h: 100 w: 80 d: 2 (cms).

Tendai is a writer, academic and sometime artist's model.

£870

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A Strong Minute

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La Vie Est Belle

By louise giblin MRSS

Bronze

h: 66 w: 40 d: 24 (cms).

La Vie Est Belle is covered with a tangled thicket, awakening with budding and flowering roses. It is full of positivity that spring and summer will return after a difficult ‘emotional winter’. This sculpture exhibited in Venice Biennale/Anima Mundi 2019 and the International Masters of Art exhibit at Art Revolution Taipei, Asia’s largest art fair, in 2022.

£27000

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La Vie Est Belle

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Sea Change

By louise giblin MRSS

Bronze on granite base

h: 85 w: 52 d: 50 (cms).

Sea Change is formed and carved to appear like a ship’s figurehead that has undergone extreme weathering. The title is from Shakespeare's ‘The Tempest’ and Arial’s haunting song that describes how a drowned body undergoes a sea change into 'something rich and strange'. The sculptor observes that people who survive and overcome life's difficulties often become formed into more interesting and resilient characters as a result. This sculpture is intended to weather further - if installed in a garden, it can either be maintained by 3 polishes per year, or be left over a long period to respond to the elements, and to gradually to turn green with a natural verdigris patina.

£17000

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Sea Change

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Furnas 2

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Dog with Kisses

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Healing our minds

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Hello? Are You There?

By caijing kuang

Paper and Oily Ink

h: 85 w: 60 d: 1 (cms).

This project is deeply personal to me, inspired by my grandmother who suffers from Alzheimer's. The time difference and her fluctuating state of clarity make it increasingly difficult to connect with her. This experience drove me to explore themes of time and memory, and the feeling of being trapped within time. A central element of this project is the door, symbolizing connection and transition from one place to another. In the context of my project, the door also hints at the unknown, just like how we never know which memory my grandmother will drift into next. For her, memories are like a maze. She wanders through them, with the passage of time losing its meaning. She can only loop through these fragments of memories in her daily life. I feel like I'm calling out into a void, asking, "Hello, are you there?" I can't reach her world, but through this project, I hope to bridge the distance just a little.

£2300

£2100 (Unframed)

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Hello? Are You There?

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The Wheel

By katalina koneva

Acrylic paint and cold wax finish

h: 80 w: 70 d: 2 (cms).

The artwork was inspired by my personal life experiences at the moment of creation and also by the ancient archetypal wisdom behind the tarot card The Wheel of Fortune. The mid-turn motion of the figure is a symbol of the cyclical nature of life and the shifts of fortune. I made this painting amidst a personal crisis in my life. It was painted as a sign of my faith that circumstances may easily turn around for the best in a glimpse of an instant. I believe this portrait is a talisman that brings positive shifts, reminding us the potential of positive change and the promise of new beginnings. The mixed media collage of old letters, newspapers and documents from the early 1900s is a tiny window into another era. Its faded ink and ornate script is a reminder of personal histories long gone and the ever-changing nature of human existence. The entire piece is finished with a layer of cold wax, giving the artwork a soft sheen with ethereal quality.

£2100

£450 (Unframed)

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The Wheel

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Briar and Bindweed

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River Bank of the Exe

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Echoes of Millennia

By huihua bi

Canvas

h: 180 w: 130 d: 5 (cms).

In Echoes of Millennia, the artist draws inspiration from a type of folk architecture in Guangdong, China, as well as tile-based ceramic art and traditional Chinese dramatic characters. Observing how theatrical motifs on rooftops have been weathered by sun, wind, and the passage of time—leaving behind a mottled imprint of history—sparked a profound artistic impulse. After a century or two of gradual change, these surfaces reveal a raw, unrefined quality that moved the artist, prompting a desire to reimagine this historical resonance in a contemporary light.

£12000

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Echoes of Millennia

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Echoes of Millennia II

By huihua bi

Canvas

h: 180 w: 130 d: 5 (cms).

In Echoes of Millennia II, the artist draws inspiration from a type of folk architecture in Guangdong, China, as well as tile-based ceramic art and traditional Chinese dramatic characters. Observing how theatrical motifs on rooftops have been weathered by sun, wind, and the passage of time—leaving behind a mottled imprint of history—sparked a profound artistic impulse. After a century or two of gradual change, these surfaces reveal a raw, unrefined quality that moved the artist, prompting a desire to reimagine this historical resonance in a contemporary light.

£12000

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Echoes of Millennia II

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‘Life Behind Closed Doors - St. Ives’

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Wood for the Trees

By joanna sellick BA (Hons)

Oil on Canvas

h: 152 w: 102 d: 4 (cms).

This painting was inspired by Maggi Hambling’s eponymous portrait (1977-1978) in which all of the items in the painting had a personal significance to the artist when her life was 'in a muddle', and by Tim Walker’s ‘Wonderful Things’ exhibition at the V&A, where images were layered with props, clues, details and tricks of light all designed to capture a moment of pure fantasy. Having moved out of London to the countryside, my life felt like it was ‘in a muddle’ too. I was disorientated by the change of circumstances. Over time, the landscape outside became my companion, and followed me inside the house. I began work on this ‘self-portrait’ by mining my experience for imagery. I made smaller drawings and watercolours of various elements in my life, and of images conjured by my children’s conversations and experiences. The resulting painting attempts to create a feeling of a dream, where things make sense emotionally rather than literally. It is not a traditional ‘self-portrait’ that pursues likeness, rather it is about an experience, a surreal merging of the internal and external world.

£7500.00

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Wood for the Trees

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Release

By kate henderson SSA

Stained glass

h: 46 w: 44 d: 2 (cms).

Stained glass in burnt wooden sleeper frame

£1800

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Release

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Sunflowers

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Affinity

By rebecca swainston

Oil on gesso panel

h: 122 w: 95 d: 5 (cms).

The horse and rider has long been a symbol of reason over emotion. Here this idea is pushed as the female rider balances precariously as the horse moves. There is nothing reasonable about this. She is wearing unsuitable clothing and performing acrobatics. The horse is unbridled and could easily decide not to cooperate. Success relies on a bond, a fragile connection. They are together, with reason and emotion being equal.

£4100

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Affinity

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In Marvellous Suspension of Disbelief

By rebecca swainston

Oil on gesso panel

h: 98 w: 122 d: 5 (cms).

The woman lies on the four-legged bird creature which is perhaps a figment of her imagination. The bird like a hummingbird is the symbol of good fortune or a changing of luck, and also of freedom beauty and fragility. It is combined with a stick legged creature which may be a costume for some kind of performance and in which we must suspend our disbelief to enter into the spirit of the art. The woman wears a hat like one my mother wore when trying but failing to learn to swim when I was very small

£4100

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In Marvellous Suspension of Disbelief

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Bruna

By emily rogers

oil on canvas

h: 65 w: 55 d: 5 (cms).

This portrait of Bruna was painted at the Charles. H. Cecil Studios entirely from life, to the scale of life and under natural light using the old masters’ technique of ‘sight-size,’ where the canvas is placed alongside the subject, and both are observed side-by-side from a set distance. This method, famously employed by John Singer Sargent and his contemporaries, has its origins in the practices of Titian, Van Dyck, and Velázquez.

£4000

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Bruna

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‘Leaning Out’, part of ‘She Is Unknown’ Series

By miche watkins

Acrylic on deep canvas

h: 90 w: 60 d: 4 (cms).

‘She Is Unknown’ series is of women with no facial details or no face at all. As women we are more than just the beauty of our faces

£975

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‘Leaning Out’, part of ‘She Is Unknown’ Series

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End of Summer

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Precious

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Cuppa

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Real women

By judit matthews

pen and wash with collage

h: 30 w: 20 d: 1 (cms).

This picture is about accepting ourselves whatever shape, size or colour we are.

£265

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Real women

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Here come the girls

By judit matthews

pen and wash with collage

h: 30 w: 20 d: 1 (cms).

I wanted to show that your shape, size or colour doesn't matter. Have confidence with in yourself and enjoy life, enjoy the moment.

£265

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Here come the girls

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The Quay

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Beech X

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Fragile

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Orchids listening to gossip

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Jester's Disguise

By soozi de leon

Cutout elements, acrylic on 600g watercolour paper

h: 30 w: 22 d: 4 (cms).

I’m an elusive out-of-the-box Jester, hiding in mix medium, paint, textiles, paper/card, wire and wood, esoteric fantasy objects from travel through the imagination out of my head, as well as from Morocco to Nepal, Panama, Venice and Africa.

£1500

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Jester's Disguise

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Doug

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Swimmer

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January Selfie

By emma perring

oil on canvas

h: 35 w: 60 d: 1 (cms).

A still life painting of a metal pice with lots of things on, including paintings and flowers.

£1200

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January Selfie

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In Celebration of the Duchess

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Beech III

By beverley matchette-downes

Waterless Lithograph

h: 30 w: 30 d: 1 (cms).

Made with multiple aluminium waterless lithographs. Inspired by woodland in the Chiltern Hills.

£500

£400 (Unframed)

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Beech III

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The Compassionate Chair

By kaidy lewis BSc

acrylic

h: 48 w: 60 d: 3 (cms).

A series made living in the USA, early 2025. Compassionate is the umbrella to all other virtues and it is needed in spades

£1500

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The Compassionate Chair

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Spring Hike

By marta dyer-smith

Mixed Media Original Print with chine collé

h: 50 w: 40 d: 1 (cms).

This print combines Intaglio and relief printmaking techniques and it is one of only two produced monoprints

£280

£240 (Unframed)

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Spring Hike

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Drawing under the shade of the lemon tree

By cristina celestini SGFA

colour pencils on polymer paper

h: 100 w: 80 d: 1 (cms).

This portrait is part of my latest series of works where I explore the perception of who we are and how we present ourselves to the world. I introduce myself as an artist and an outsider as I draw under the shade of a lemon tree. The lemon tree is a symbol of my otherness: a plant from the warm mediterranean transplanted in the temperate north. The techniques and media I use are also a celebration of my past and of my late father’s life. As an amateur architect, my father used to draw detailed plans of houses and building on transparent paper which could then be superimposed. I am using the same method here and instead of building I draw memories on layers of polymer paper to map the complexities of our personalities.

£2000

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Drawing under the shade of the lemon tree

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The Journey Diptych

By jane molineaux boon

oil on canvas

h: 100 w: 152 d: 2 (cms).

A diptych of the journey between south London and London Bridge. each of the 2 paintings is divided into three sections. At the top are the flight patterns of birds. The centre is the train journey and the bottom is the road map. Each piece can be viewed separately but together they make a story of train travel. This was the beginning of the reflections series using overlapping images to suggest motion and progress through time

£4250

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The Journey Diptych

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Friday Night at Mo's

By jane molineaux boon

oil on canvas

h: 60 w: 50 d: 2 (cms).

Another in the Reflections series. What interested me are the reflections and overlapping images in the chip shop window. Some of these people are inside and some are out on the street, and yet they all inhabit the same space in the reflection.

£2500

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Friday Night at Mo's

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Wednesday afternoon at Cass

By jane molineaux boon

oil and canvas

h: 60 w: 50 d: 2 (cms).

Another in the Reflections series. What interested me about the image is the colour. The large pink splash of the promotion not only adds intense colour but also gives a flat area for the selfie reflection. Each of these paintings in the series is really a self portrait. It's a way of exploring identity when all we ever see of ourselves is a reflected image

£2500

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Wednesday afternoon at Cass

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Path to the Sea

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Cat Yoga

By rebecca guyver

egg tempera on panel

h: 30 w: 31 d: 1 (cms).

How do you pamper yourself? Would a plate of grapes or a bouquet of pert orange tulips cheer you on or mark a success? Perhaps you’re the sporty type and roll out an exercise mat and do some down dogs? I might watch from the curtain then light a candle and drink in the complementary poses. Is Yoga a language? Did you know a duo of cats are called a clowder or that a cat trilling is the same as a friendly hello?

£520

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Cat Yoga

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Portrait of Rachel

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Grandfather

By omma moonfalk

Oil on panel

h: 50 w: 35 d: 1 (cms).

This close portrait of my grandfather Ingemar was painted from life during two-hour sessions at our family summer house, completed four months before his passing. Painted in oils on an aluminum panel, it features a limited palette of lead white, ochres, ivory black, and vermilion. These sittings became cherished moments of connection, interspersed with conversations about philosophy, music, and art; subjects he always enjoyed discussing. This portrait of my grandfather is also a keepsake of these memories.

£2000

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Grandfather

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A Blanket of Snow, Tignes

By sophie coe

Oil on timber panel

h: 76 w: 61 d: 5 (cms).

Snow over Tignes, French Alps

£2750

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A Blanket of Snow, Tignes

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St Martin's Street, Patterns and Shapes

By audrey rapier

Oil on wood panel

h: 26 w: 21 d: 1 (cms).

£400

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St Martin's Street, Patterns and Shapes

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Soft Evening Light, Cornwall

By audrey rapier

Oil on wood panel

h: 16 w: 16 d: 1 (cms).

£350

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Soft Evening Light, Cornwall

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Girl on a Train

By sara gregory

Oil on Cradled Panel

h: 40 w: 20 d: 2 (cms).

£750

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Girl on a Train

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Girl in a Red Hat

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All The Memories

By nicola durrant

Stitch, collage, ink and monoprinting

h: 65 w: 55 d: 4 (cms).

I've reminded myself how much I love combining stitching with painting in this piece

£600

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All The Memories

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Chris 1

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Morning Coffee

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The wolf hour

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Cocoon

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As one is

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Clockwork Mouse

By andrea mcveigh MA , BA(Hons)

Bronze

h: 53 w: 30 d: 40 (cms).

Clockwork Mouse embodies the whimsical energy of childhood play but stands frozen in time. Its mechanisms are now relics of the movement that once was. Inspired by antique clockwork toys, this piece reflects on the fleeting nature of childhood. Clockwork Mouse is poised as if it is mid-step, capturing the tension between motion and stillness and between the past and present. As a mother, I have witnessed toys transition from objects of wonder to abandoned relics, collecting dust as children outgrow them. This sculpture speaks to that moment of change, at which the hands that once wound up a toy move on, leaving only echoes of laughter and touch behind.

£6500

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Clockwork Mouse

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Clockwork Bear

By andrea mcveigh MA , BA(Hons)

Bronze

h: 47 w: 15 d: 30 (cms).

Clockwork Bear stands with quiet determination, a steadfast companion from a childhood now passed. Inspired by antique wind-up toys, this piece explores the weight of memory and how once cherished objects hold the imprint of time. The bear’s textured surface and mechanical details hint at wear, at a life lived, at hands that once held it close but have since moved on. For me, as a mother, this sculpture reflects the bittersweet beauty of raising children. The once-constant presence of favourite toys fades as time progresses, yet their significance remains. ‘Clockwork Bear’ is a reminder of the in-between spaces of motherhood, nurturing, letting go, and the quiet permanence of love, even as the years pass and ordinary objects become treasured artefacts.

£6800

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Clockwork Bear

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The Picnic Party (at a 1940’s event)

By carole heyes

Acrylic

h: 25 w: 30 d: 3 (cms).

Last year whilst visiting a 1940’s event one weekend I spotted this lovely group of people enjoying their picnic. I really wanted to paint this idyllic scene & took a photograph of them. I have enjoyed working on this painting, whilst remembering a lovely day out.

£450.00

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The Picnic Party (at a 1940’s event)

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Here There Are Traces Of Labyrinthine Dreams

By carol burns

Mixed Media - Acrylic Paint, Graphite, Oil Pastel, Ink, Coloured Pencil and Collage (including a mix of vintage paper and paper hand made by the artist).

h: 77 w: 77 d: 3 (cms).

Here I explore the interplay between ancient architecture and the subconscious mind, where the concept of a fortress—both physical and psychological—emerges as a recurring theme. The black and white textures of the painting evoke the timelessness of forgotten realms, where labyrinthine passages, once guarded by the secrets of long-lost civilizations, now fade into memory. This work draws inspiration from the mythic and the mysterious: the grand fortified castles and underground palaces that speak to an inner landscape of both construction and destruction.It is both a puzzle and a map: the problem and the solution existing within the same space, suggesting that the answers to the deepest questions of existence are often hidden beneath the surface.

£1800

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Here There Are Traces Of Labyrinthine Dreams

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