by amy bradnock BA (Hons)
Stoneware ceramics, Glaze
h: 57 w: 35 d: 30 (cms).
In my work, I embrace the mutability of clay, allowing it to slump, fold, and collapse, capturing moments where movement is suspended in time. The forms I create embody a perceivable flux, a fluid knot where past, present, and future intertwine. Slumpers softened, inward contours suggest a bodily presence without resolving into figuration, blurring boundaries between interior and exterior, self and other. Thick, layered glazes in bold, saturated tones heighten this ambiguity, situating the sculpture in a surreal, tentative space. Colour and texture act as active agents, engaging perception and subtly destabilising the work’s identity. Through this piece, I explore material agency as an ongoing process rather than a fixed outcome, challenging static notions of form and identity. Slumper invites viewers into a transformative space where familiar boundaries dissolve, and objects exist in a constant state of becoming.
£2225 (As exhibited.)
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by amy bradnock BA (Hons)
Stoneware Ceramics and glaze
h: 62 w: 35 d: 32 (cms).
Knotted Self emerges from a material-led dialogue with clay, where the form develops through processes of folding, compression, and tension. The sculpture appears as a twisted, knotted mass, capturing a moment where movement has been suspended. Similar to previous works 'Slumper' Its form suggests a bodily presence without resolving into figuration, evoking a sense of interiority and containment. Through thick, layered glazes and shifting surfaces, the work resists stable definition. Instead, it embodies a state of becoming, where identity is continually formed and reconfigured through the interactions of material, form, and perception.
£1950 (As exhibited.)
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by amy bradnock BA (Hons)
Stoneware ceramics, glaze
h: 45 w: 56 d: 25 (cms).
Convergence of Two emerges from a material-led dialogue with clay, where the form develops through processes of interaction. The sculpture suggests two bodies meeting and intertwining, captured in a moment where their forms begin to merge. Rather than presenting distinct entities, the work explores the unstable space between the two and the precious form they become. Through this convergence, the sculpture reflects on material agency as a relational process, where meaning and form arise through the interaction and entanglement of material bodies.
£1950 (As exhibited.)
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